Well it's been a while since I updated this, but am preempting a New Years resolution (because I don't like them) and starting writing on this more. I have a new job and, although it's not in writing, I'm starting to be able to fit that in around it. Started writing a play, submitting poetry to more magazines and blogging (now at least). I'm near certain that fame and critical acclaim are just around the corner. Maybe.
Anyway - I should point you in the direction of the Bedford Square 5 anthology that has been published by Ward Wood Publishing. It showcases the work of both poets and prose writers from the last 2 years of the Royal Holloway Creative Writing MA. There are 5 poems of my own in there which are all over-shadowed by some incredible work. Have a read!
Buy it here
Thursday, 29 December 2011
Friday, 29 July 2011
"I can smell it coming like a hound", and clarify, "I can smell it just like a hound does"
I have been neglecting this recently, partly down to the constant routine of working on my dissertation and working in a theatre and partly down to finding it strange spending time writing things that not many people read and isn't particularly interesting, but I just realised I want to be a poet so should probably work through that apprehension.
It feels like a bit of a grinding schedule at the moment, but since the last time I wrote I've been snuck up on by some culture. So things I have seen are as follows:
I saw One Man, Two Guvnors and the National Theatre with James Corden, and though I don't like him that much as a comedian, it was one of the funniest things I've ever seen live. An amazing supporting cast and perfectly choreographed slapstick. Also saw Butley with Dominic West on my night off last week. Resisted the temptation to shout "FIVE - O" when he came on stage, and a great script about the unravelling day in the life of an English professor.
My friend and poet, Kayo Chingonyi, generously offered me a spare ticket to see a reading at London Literature Festival in the Southbank centre a couple of weeks ago. It was on the 5th floor (not the Library side) which has brilliant views of the Eye and Parliament, and with four poets reading their work on the theme of Place. It was interesting to hear Kate Clanchy taking and reading about an ambiguous relationship to Scotland, a place she grew up but feels rejected by in many respects. I don't personally feel like a poet rooted in place at all, which is often such a great theme, and it was refreshing to hear writing and opinion from that perspective as well as Toby Martinez De Las Rivas who writes expansively and eloquently on his relationship with the places that have shaped him. Nick Laird, one of my favourite poets, was top of the bill though and after some understandably powerful poems about growing up in Northern Ireland, he gave a taster of the new collection he is working on with a poem called 'Go Rangers', a phrase he hears a lot living in New York.
Read Kayo's blog of the event http://litandspoken.southbankcentre.co.uk/2011/07/07/poetry-and-place-weston-roof-pavillion-royal-festival-hall/
On New York, and I am onto the close analysis of James Schuyler's poems for my dissertation, which has come as a relief and motivation as I now remember (after all the theory) why I am exploring his writing. It's so grounded in things he can see and hear and somehow he makes every observation incredibly poignant and philosophical. I've been really looking at 'Empathy and New Year' today, which deals with the problems of naming and observation 'Not knowing / the name for something proves nothing'. He finishes it brilliantly, the snow he's been admiring having blown off the trees:
Night / and snow and the threads of life
for once seen as they are,
in ropes like roots.
It feels like a bit of a grinding schedule at the moment, but since the last time I wrote I've been snuck up on by some culture. So things I have seen are as follows:
I saw One Man, Two Guvnors and the National Theatre with James Corden, and though I don't like him that much as a comedian, it was one of the funniest things I've ever seen live. An amazing supporting cast and perfectly choreographed slapstick. Also saw Butley with Dominic West on my night off last week. Resisted the temptation to shout "FIVE - O" when he came on stage, and a great script about the unravelling day in the life of an English professor.
My friend and poet, Kayo Chingonyi, generously offered me a spare ticket to see a reading at London Literature Festival in the Southbank centre a couple of weeks ago. It was on the 5th floor (not the Library side) which has brilliant views of the Eye and Parliament, and with four poets reading their work on the theme of Place. It was interesting to hear Kate Clanchy taking and reading about an ambiguous relationship to Scotland, a place she grew up but feels rejected by in many respects. I don't personally feel like a poet rooted in place at all, which is often such a great theme, and it was refreshing to hear writing and opinion from that perspective as well as Toby Martinez De Las Rivas who writes expansively and eloquently on his relationship with the places that have shaped him. Nick Laird, one of my favourite poets, was top of the bill though and after some understandably powerful poems about growing up in Northern Ireland, he gave a taster of the new collection he is working on with a poem called 'Go Rangers', a phrase he hears a lot living in New York.
Read Kayo's blog of the event http://litandspoken.southbankcentre.co.uk/2011/07/07/poetry-and-place-weston-roof-pavillion-royal-festival-hall/
On New York, and I am onto the close analysis of James Schuyler's poems for my dissertation, which has come as a relief and motivation as I now remember (after all the theory) why I am exploring his writing. It's so grounded in things he can see and hear and somehow he makes every observation incredibly poignant and philosophical. I've been really looking at 'Empathy and New Year' today, which deals with the problems of naming and observation 'Not knowing / the name for something proves nothing'. He finishes it brilliantly, the snow he's been admiring having blown off the trees:
Night / and snow and the threads of life
for once seen as they are,
in ropes like roots.
Tuesday, 21 June 2011
Sick Day
I've managed to sprain my ankle at work, so am laid up at home at the moment (which is actually quite nice). What to do lying on a sofa all day?
Well I've edited some poems thanks to a helpful workshop yesterday with my MA group, and found I have nearly half the pages I need for my final portfolio which is heartening, although I don't know where the next half is going to come from. I have also been reading a chapter from Willard Spiegelman's book 'How Poets See the World'. It's about the art of description in contemporary poetry, which is a stones throw from my dissertation title on James Schuyler, which means I have been taking plenty of notes.
Meanwhile I have been watching tennis on mute (bring back the football season), and carrying out important youtube research inspired by a friend who pointed me in the direction of a new Radiohead song/session. Definitely my favourite band of all time - which reminds me of one of the best remixes ever made, below (give it a chance to get into it).
Well I've edited some poems thanks to a helpful workshop yesterday with my MA group, and found I have nearly half the pages I need for my final portfolio which is heartening, although I don't know where the next half is going to come from. I have also been reading a chapter from Willard Spiegelman's book 'How Poets See the World'. It's about the art of description in contemporary poetry, which is a stones throw from my dissertation title on James Schuyler, which means I have been taking plenty of notes.
Meanwhile I have been watching tennis on mute (bring back the football season), and carrying out important youtube research inspired by a friend who pointed me in the direction of a new Radiohead song/session. Definitely my favourite band of all time - which reminds me of one of the best remixes ever made, below (give it a chance to get into it).
Tuesday, 7 June 2011
Against the Arts Cuts
Andrew Motion delivered an impressive speech at Oxford this week damning the government's badly thought out and dangerous arts cuts. I wish I had been there to see it, but the Guardian seem to have transcribed a large amount of it. He agrees with most of us that the Tories have massively overlooked the importance of the arts within a society, and have ignorantly cut the funding to some incredibly worthy causes:
"The arts, and the humanities associated with them, provide us with the paradoxes that we depend on for the realisation and fulfilment of ourselves as human beings. Nothing less. They are the means by which we learn to live more deeply as ourselves, but they are also the echo-chambers in which we begin to understand what it means to live in history. They pay attention to events, but they make their own narrative of those events. They teach us about ourselves while they allow us to forget ourselves and – just as fulfillingly – to identify with others. They affirm the value of oblique truths as well as the usefulness of direct utterance. They honour familiar life while transfiguring it, and they give the clearest possible view of what lies beyond our seeing and saying. They help us to continue living because they keep death in view. Are these self-evident truths? I would say so. But this doesn't mean we are excused from affirming, defending, cherishing and broadcasting them. And doing more clearly and passionately than ever, now we see the barbarians are inside the gates again."
Good stuff
http://www.guardian.co.uk/culture/culture-cuts-blog/2011/jun/03/arts-funding-andrewmotion
"The arts, and the humanities associated with them, provide us with the paradoxes that we depend on for the realisation and fulfilment of ourselves as human beings. Nothing less. They are the means by which we learn to live more deeply as ourselves, but they are also the echo-chambers in which we begin to understand what it means to live in history. They pay attention to events, but they make their own narrative of those events. They teach us about ourselves while they allow us to forget ourselves and – just as fulfillingly – to identify with others. They affirm the value of oblique truths as well as the usefulness of direct utterance. They honour familiar life while transfiguring it, and they give the clearest possible view of what lies beyond our seeing and saying. They help us to continue living because they keep death in view. Are these self-evident truths? I would say so. But this doesn't mean we are excused from affirming, defending, cherishing and broadcasting them. And doing more clearly and passionately than ever, now we see the barbarians are inside the gates again."
Good stuff
http://www.guardian.co.uk/culture/culture-cuts-blog/2011/jun/03/arts-funding-andrewmotion
Let's raid the vandals homes, boys
Just found this video of the Villagers gig I went to a couple of weeks ago. Amazing opening song to a silent Shepherds Bush Empire, incredible voice and lyrics
Saturday, 4 June 2011
Mark Ford Six Children Review on MouthLondon
Here is a review I have done of Mark Ford's new collection, Six Children (Faber) for the website MouthLondon.com
The title of Mark Ford‘s third collection is taken from Walt Whitman’s admission, late in life, that “Though unmarried I have had six children”. The consequent poem’s six stanzas imagine the six women Whitman “waylaid” and the resulting offspring, the father hoping “some day, all together, we will stride the open road”. It is this act of remembrance and unearthing that Ford maintains as a focus throughout the book.
read more...
The title of Mark Ford‘s third collection is taken from Walt Whitman’s admission, late in life, that “Though unmarried I have had six children”. The consequent poem’s six stanzas imagine the six women Whitman “waylaid” and the resulting offspring, the father hoping “some day, all together, we will stride the open road”. It is this act of remembrance and unearthing that Ford maintains as a focus throughout the book.
read more...
Wednesday, 1 June 2011
I suppose I should publish...
a poem on here to justify my Url. This is from a sonnet series I'm working on in the voice of a 40-something academic. This occurs during a night on the road having given a guest lecture.
Stopover
Early evening, artificial light
drowns the bar of Oxford's Premier Inn.
After ten minutes opposite a forthright
blonde you're sliding your ring
to your index finger in the bathroom,
and suddenly you've another beer,
one for her, a nom de plume,
and are trying to journey the sheer
of her dress, hinting at bed
too soon - then drinking stronger stuff to assuage
the elegant swish of fabric as she fled.
Morning, you wake and find the scrawled page
of four-letter words your hand had been guided
to write in last night's crimson, whisky haze.
Tuesday, 31 May 2011
Amazing comedy
Glad to see some great comedy shows on BBC at the moment. I am very much enjoying the new series of Psychoville, although it's a shame that Mr Lomax has been killed off. I hope he comes back.
If you don't watch Stewart Lee, you need to!
http://www.bbc.co.uk/iplayer/episode/b011j8wz/Stewart_Lees_Comedy_Vehicle_Series_2_StandUp/
If you don't watch Stewart Lee, you need to!
http://www.bbc.co.uk/iplayer/episode/b011j8wz/Stewart_Lees_Comedy_Vehicle_Series_2_StandUp/
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